On April 13, 2014 WQAQ hosted its Spring 2014 concert. The opening acts included The Guru, This Good Robot, and Diabolic. The show was most notably headlined by Immortal Technique. Sal and Jeremy from YO! QU Raps were able to interview him before his performance.
(John Michael Cordes, QUOR’s Drummer — Left)
Pounding rhythms; precise blastbeats; ecstatic double bass; jumping grooves; graceful style; passion. These are all terms that work together to define a hard rock/metal drummer’s playing — they also all exemplify John Michael Cordes, a 23 year old drummer for the band QUOR, located in San Diego, California. Not only did I have the chance to perform in a band with Cordes for several years, but I also reached out to him for an interview about drumming and the band’s recent success.
1. Let’s get this out of the way, because I’m sure everyone reading is wondering: why the name QUOR? How did it come about?
There are two sides to this story *laughs*. One day Brian was driving down the coast highway 101 from a comedy show when he drove by a “Liquor Store” sign, and the “L” along with the “I” didn’t work. It was kind of ominous, looking [at the sign] with the fog behind it and everything, so it was just that one thing he saw and it looked radical. The other side to it is the fact that we think the whole image thing in metal is just annoying and we are kind of over the superficial crap that goes with it; we love that stuff and think its cool but we want to display to listeners and artists that as long as you just make art and are passionate about making great songs for people…why the heck should anything else matter? After all, we are musicians; isn’t this suppose to be about the music? *Laughs*
2. You guys recently had your material featured in the movie Pizza and Bullets. How did that opportunity come about, and how did the crowd react to the show after the movie ended?
3. Can you explain what the song writing process is like for QUOR and how you add to it?I wish I really could describe it to something comparable that makes sense… The closest way I could describe it is: It’s strange and beautiful as well as instinct. We go into the rehearsal room with no prerequisite to what we think a song “should sound like”. Someone will have an idea for a riff or vocal melody, or ill have a beat and Doug [who plays bass for the band] will have a bass line and we ride with it. I do what I can to add to it in a way where I want to participate with the musical experience with the song, I really don’t want to be the guy that just “plays beats” — I do what I can to always try and come up with something that makes the drums a cool instrument to listen to.
4. You guys have been on tour a few times. What is your favorite tour experience, and why?
I would definitely have to say the tour we did last year and we played the Google/Netflix party. It was truly a humbling and honoring experience to be asked by two of the most powerful companies in the world to have us be their live entertainment for the evening in gorgeous San Francisco. It was my favorite experience not because of the “social status” or “bravado” — it was because when we were offered the opportunity and played it I was just thinking, “Wow, what we are doing is working and we are reaching people”. So to me that was what was a very enriching experience.
5. The single, “Human Paradigm”, was just released. How do you feel this song represents future material, and what can we expect from the next release?
The song I believe very much reflects on the bands mentality of always trying different things, while also just not being afraid to steer forward and race for the finish line for meeting our goals. The next release is going to be much different from the current one; it still is “QUOR” for the sound but that is all I will say. After all, all I can share is only what I think of the song; I don’t enjoy sharing my thoughts on our music much because I think one of the most beautiful things about art and music is how anyone can listen to it and have it become an enriching and beneficial experience in their own way, through their own personal interpretation.
6. How has the music scene in San Diego treated QUOR? When you started playing live shows, did you find it welcoming, or was finding the right audience difficult?
When we started to play shows it was hard in the beginning; however I think it is for any band anywhere. Over time though a lot of our friends starting bringing people who we may not have yet known. I think building any kind of a reputation in general though does take time anywhere.
7. How did the band form?
The band was sort of already together. the project I was previously in, “Fates Demise”, came to a wrap; the other members of QUOR actually found me because I put up an add up on Craigslist stating my resume which they were impressed with. We jammed together in an hour to hour rental practice, and the rest is history!
8. Do you have any pre-show rituals? If so, what are they?
10. Do you have any tips for aspiring musicians?
Bobby Mahoney and the Seventh Son were formed in December 2010 under the name “Seventh Son” in East Brunswick, NJ. Originally intended for a single show, the band quickly caught on locally and began to play the New Jersey rock circuit.
Jon Alba, the rhythm guitarist and back up vocalist talked to WQAQ about his band.
How has QU helped your music career?
I used to have a radio show on WQAQ, so I got exposed to some genres of rock I would have never heard before. I played a couple of the Battle of the Bands as well, and met some cool people through that who I have since played with.
What/who is your music inspiration?
We describe our band as AC/DC meets Gaslight Anthem meets Green Day meets Bruce Springsteen. There are so many different sounds going on with so many different song elements as well. We take a lot of pride in bringing those all to the table and forming them into one, cohesive sound.
How often do you guys play live and what do you love about performing?
We are currently in the middle of promoting our album “Friends in Low Places,” and have toured throughout the Northeast and even out of the country. This past summer we did a short Canadian leg, and we’ll be going back up there in November as part of “Light of Day Canada.”
We believe our live show is what sells people on us. Legitimately, every single show we have played, we have a new person who has never seen us say something along the lines of “Wow, your energy was on another level.” We take a lot of pride in our stage show, which is full of tight playing, antics and some cleverly-channeled dynamic changes. Plus, it’s all natural for us. Those bands mentioned prior are our biggest influences, and what do they all have in common? They’re some of the best live bands in the history of rock music.
How did your band meet/come together?
The band goes back four years to a lesser-developed more part-time kind of experience. Over the last year though, we have taken the steps to become very serious in our endeavors, adding new members. Bobby Mahoney, the lead singer/lead guitarist, has established a reputation in the Jersey rock scene, and has shared the stage with Springsteen himself. We currently have three guitarists, a bassist, and a drummer, and it’s one of the oddest, yet somehow cohesive units you’ll ever see. Bobby and myself are the only two original members, however.
Where do you see the band going in the future?
Wherever it takes us. It’s a hobby for me, but for the rest of the band, that’s their career-path they’re choosing. Would I do it for a living? Absolutely. But it’s grueling. We’re all very passionate about it still, and plan to take it as far as we can.
What’s your most memorable show you have played, can you describe it?
There are two shows, for me, that stick out in particular. The first would be our CD release party we had at the legendary Stone Pony in Asbury Park, NJ this past summer. We were headlining a club where so many musicians had their career made, and we packed the place for one of the most intimate and incredible nights of music we’ve ever had. We played for two hours.
Another would be a relatively recent stop at another legendary Jersey venue, the Court Tavern in New Brunswick. This is where the kings of the indie rock scene are born in the state, and it is as intense as it gets down there. We had a 4K camera shooting some of the show, yet people were moshing all around it. Awesome.
What makes your band different from other bands?
I think the blend of sounds you hear in the music. I believe in the mantra “simple ain’t easy,” and though it’s not all that simple, we aren’t trying to re-invent the wheel either. We take a ton of pride in our live show, where as a lot of bands focus just on bringing the music. That, I feel, sets us apart.
How would you describe your bands style?
It’s a combination of hard rock and punk, for sure.
How many albums do you have, if any?
We just released our first full-length studio album, “Friends in Low Places,” on June 22 of this past year. Previously, we had an EP entitled “Only Ashes Remain,” which was with one of the older incarnations of the band. We are also currently working on a new recording project, though are unsure of the route we are taking with it as of yet.
You can see the music video to “Another Deadbeat Summer” here: http://www.youtube.com/embed/gchQKL4kZic
Fall is upon us and there are some pretty exciting albums that are coming out, or are rumored to be coming out before year’s end. Last autumn, we saw the release of some pretty incredible records like Balance and Composure’s “The Things We Think We’re Missing” and Touché Amoré’s “Is Survived By.”
This Fall is already shaping out to be a great one for music of all genres. Here are a few records I’m looking forward to:
Minus the Bear “Lost Loves” – 10.07 – Dangerbird Records
Minus the Bear have also satisfied fans with their releases despite their always-changing array of sounds. With the release of “Lost Loves”, Minus the Bear has put together a compilation of b-sides from from their last three releases – “Planet of Ice”, “Omni” and “Infinity Overhead.” They released the first single from the album “The Lucky Ones” in August.
Pianos Become the Teeth “Keep You” – 10.28 – Epitaph Records
Pianos have built up a pretty dedicated following with their throwback screamo style combined with pounding, emotional instrumentation. They put aside the screams and traded them in for fluttering vocals, that still manage to hit as hard as it did before. If the first single “Repine” is any indication, we’re in for a hell of a record from the boys from Maryland.
Gates “Bloom and Breathe” – 10.21 – Pure Noise Records
After signing to Pure Noise Records, Gates went out on countless tours and also re-released their EP “You Are All You Have Left to Fear” with two new tracks. Gates have come a long way from the first release of “Fear” and “Bloom and Breathe” is shaping up to be a monumental release for the quintet from New Jersey. Check out their music video for “Not My Blood” was released last week.
Logic “Under Pressure” – 10.21 – Def Jam Records
If you’ve had an ear in the underground hip-hop scene for the past few years, chances are you’ve heard of Logic. After being signed to Def Jam Records in April 2013, Logic’s debut album has been in the works for a little over a year, and has been teasing fans through social media on what to expect from the record. He released his first single “Under Pressure” last week to get even more buzz going around the debut.
Thom Yorke has been messing with Radiohead fans in recent days by posting his usual cryptic pictures and messages through his Twitter account. While not much has been said about this album, other than Johnny Greenwood saying that Radiohead camp would be getting together in September, it can be speculated that new music is coming, hopefully by early next year.
Kendrick Lamar “TBA”
“King” Kendrick dropped “i” on Tuesday and sent shockwaves throughout the Internet. The track features a sample from the Isley Brothers, a group Kendrick has cited as a big influence in his music. The tone of the track is uplifting and contrasts the tone of “good kid, m.A.A.d city,” but the lyricism is still tops anyone else’s in the game. Kendrick has also mentioned he hopes to drop his new album before the end of the year.
Brand New “TBA”
Brand New released “Daisy” five years ago and has been taunting their fans ever since with the idea of a new record. A few weeks ago, it was said that they might have played a new song live, although no one could really confirm the news. However, Brand New has put up a picture on Instagram of Jesse Lacey in a large studio with a man who we could only hope to be their long time producer Mike Sapone. While nothing has been said by Brand New, they built a studio this summer and that has to mean something. Hopefully they release something before the new year.
You probably know Karen O as the lead singer of indie rock band The Yeah Yeah Yeahs. Since the band’s first album, she ventured from the group to pursue various solo projects including a recent appearance on the Her movie soundtrack which got her an Academy Award nomination. She released her first full-length solo album, Crush Songs, September 8 via Cult Records.
Crush Songs has the feeling of a collection of demos more than a fully finished album, but that seems to be what O was going for. “When I was 27, I crushed a lot,” O said in a statement on her website, “These songs were written and recorded in private around this time. They are the soundtrack to what was an ever continuing love crusade.”
The single, “Rapt”, starts off with a count down, as do many of the other songs on the album. The somewhat messy nature of the recording goes well with her lyrics that sound like a diary entry, “Do I really need another habit like you?” she asks herself.
The rest of the album goes on in a similar manner. A woman writing about lost loves and loves that never had the chance to develop. She sings them quietly, but well, backing up the songs with three instruments at most. O keeps it simple, if not too simple.
These songs seem rather unfinished, but isn’t that what a crush is? There are great ideas, powerful lyrics, obvious talent, and nice melodies, but something seems missing. You cant help but wonder how the album would sound with a full band backing up O’s voice instead of just a simple acoustic guitar. Crushes are just that though; they are unfinished loves that could never be. Anything more complicated wouldn’t get the sentiment across as well as these songs do.
The album is comprised of 15 songs and only runs about 26 minutes long, continuing the theme of crushes, which are often short-lived. You can feel the emotions that Karen O rushed into these songs despite the lo-fi quality of the recordings. Crush Songs is not musically or lyrically amazing, but its rawness makes it something worth listening to. I give Crush Songs a 6/10, but I might be slightly biased as chronic-crusher as well.