The chance to see TTNG, the infamous math rock pioneers from the United Kingdom, in itself was something special. But to see them at an intimate venue such as The Space only heightened the experience. Having missed them last November when they made a stop in Hamden, I marked the date when I learned TTNG would be touring back to the U.S. I was also lucky enough to have tickets for the show gifted to me by my girlfriend, Ashleyann Silva, for my birthday. Let’s just say I didn’t need any alternative motivations to get excited for this show.
Upon arrival, we were greeted with the one man band that is Henry Kohen, under the monicker Mylets. Hailing from Los Angeles, Kohen provided a captivating performance, highlighted by several layered guitar parts live with a loop pedal and triggered analog samples, while delivering angst-ridden confessions over top. Following Mylets was Emma Ruth Rundle, another solo act. In a long black dress, and a floral crown, Rundle sang emotionally over effected electric guitars, delivering ballads of love and loss. Henry Tremain, singer-bassist-guitarist of TTNG, stood idly on the side of the stage, eating a banana, and singing along to his label-mates’ songs in between bites.
The openers set the stage for TTNG, literally, as they helped the band set up. Once all the pedal boards were in place, amps were warmed up, guitars were tuned, and drums were tightened, TTNG exploded into their track “Gibbon” from their 2009 release, Animals. The onlooking crowd began to shout along with Tremain, “Once more in to breaches I cannot gap. One more chance to second guess your thoughts. My friends said that you would be a tough nut to crack. Come back lets settle this up…”
They then proceeded into their version of a “hit single” in “Cat Fantastic” from their 2013 release 126.96.36.199.0. The dense crowd began to move with Tremain and the Collins brothers, drummer Chris and guitarist Tim, as they bobbed along to the complex time signatures and tempo swings that are signatures of TTNG.
The band played a diverse setlist, crossing their discography effortlessly and gracefully. A major high point of the show was when TTNG debuted a new song. The track, consistent in style and complexity, mirrored that of the work on both Animals and 188.8.131.52.0, while Tremain sang in falsetto melodies. This song is only another reason to be excited that the power-trio from Oxford is releasing new material in the near future.
Tremain sparked fans excitement when he doused himself in both a bass guitar and an electric guitar at the same time. Throughout the song Tremain would alternate between the two necks, much like how one would play a double-neck guitar, filling in bass parts when needed and dueling Tim Collins in guitar parts at other times.
Tremain’s amazing feat stole the show. As did his banter with the crowd between songs. One fan labeled him as “Banana Man” for his earlier side stage antics. Tremain and the Collins brothers also went back in forth with the sound engineer several times to ensure their audio was just right.
TTNG closed their set with “If I Sit Still, Maybe I’ll Get Out of Here” from their 2008 self-titled EP. The crowd rejoiced and sang along to the timeless chorus, “Yesteryear still rings in my ear. Like buttons and pins this mess we’re in dissolves in time.” To say that TTNG’s performance was the best I’ve seen in an intimate setting would be an understatement. The trio blew myself, as well as the rest of the crowd, away with their deceivingly full sound and playful stage presence. Hopefully we’ll get a new record from the lads soon, until then we’ll have to settle for their near studio-quality live renditions, and goofy Facebook posts.